Talbot’s photograph was composed, for practical reasons. He wrote that movement “destroyed the distinctness of the representation” but noted that, “...when a group of persons has been artistically arranged, and trained by a little practice to maintain an absolute immobility for a few seconds of time, very delightful pictures are easily obtained.” (Talbot, The Pencil of Nature, 1844.) Talbot’s composition reveals a keen eye for design. The three figures form a central triangle, bisected by the strong vertical of the ladder. The doorway and open window are solid geometric forms, centrally placed and balanced by the strong line of the second story. Thick vines frame the scene. Their mid-tone contrasts with the lighter tone of the stone and the dark openings, all of which serve to highlight the figures. The different textures of vines, stone, wood and clothing are captured in startling detail. They lend visual interest and energy to the composition.