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Imago (VII) Urverdrangung: refoulement "translatable" <<she is there>> Imago (VII)
 “Titles as Signposting”.
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Imago (VII) Urverdrangung: refoulement "translatable" <<she is there>> Imago (VII)
 “The Female: Knitting Her Back In”.
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Imago (VII) Urverdrangung: refoulement "translatable" <<she is there>> Imago (VII)
 ?Da Vinci: An Exciting Source?[da Vinci drawing or portrait of artist].
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Imago (VII) Urverdrangung: refoulement "translatable" <<she is there>> Imago (VII)
 “The Silk: Durable, Pliable, Yielding”.
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Untitled (Quoting E. Bagnold, S. Schwartz-Bart, J. Posner, L. Irigaray) Untitled
 “The Notion of Beauty”.
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Untitled (Quoting E. Bagnold, S. Schwartz-Bart, J. Posner, L. Irigaray) Untitled
 “I Don't Care What it Looks Like; I Care What it Means”.
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Untitled (Quoting E. Bagnold, S. Schwartz-Bart, J. Posner, L. Irigaray) Untitled
 “My Art and the Viewer: It's a Call, It's a Lure”.
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“I read so much as a child”.
 “I read so much as a child”.
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“Coming to Art”.
 “Coming to Art”
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“I Never Did Like All Those Laws and Rules of Painting”.
 “I Never Did Like All Those Laws and Rules of Painting”.
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Mary Scott     
Mary Scott was born in Calgary in 1948. She received her BFA from the University of Calgary and her MFA from the Nova Scotia College of Art and Design in Halifax. She teaches at the Alberta College of Art and lives in Calgary. She is a pioneer in making work that contributes to a new vocabulary that is resistant to masculine practice and history. She has been strongly influenced by the literature of the French feminists.