<- back to website Français

National Gallery of Canada

      Meet the Artist Home     
On becoming a visual artist
 On becoming a visual artist
 PDF Transcript  
Breaking out of the traditional frame
 Breaking out of the traditional frame
 PDF Transcript  
Sculpture as an event and open to interpretation Sculpture as an event and open to interpretation
 Sculpture as an event and open to interpretation
 PDF Transcript  
Themes of my work
 Themes of my work
 PDF Transcript  
On collaborations with other professionals
 On collaborations with other professionals
 PDF Transcript  
Head Machine ? the title Head Machine ? the title
 Head Machine ? the title
 PDF Transcript  
Head Machine ? the exterior Head Machine ? the exterior
 Head Machine - the exterior
 PDF Transcript  
Head Machine:  the geometric shapes on the interior Head Machine: the geometric shapes on the interior
 Head Machine: the geometric shapes on the interior
 PDF Transcript  
The importance of time
 The importance of time
 PDF Transcript  
Michael Hayden     
Born on January 15, 1943, Vancouver, British Columbia, Currently lives in California.

?My sculptures were always environmental events that demanded a physical commitment of the person experiencing it with all their senses. Even in my most current work forty years later I?m still making sculptures that are inside out, sculptures that require you attend to their interior rather than a lump that you go up to and walk around.?
-Michael Hayden, November 24, 2004

Michael Hayden?s life long preoccupation with light was evident in the early 1960s in his student work at the Ontario College of Art where, much to his teacher?s surprise, he used Day-Glo paint in his watercolour class. His paintings soon became more textured and sculptural, ?leaning off the walls? with roofs, motors and interior lights, setting the stage for a long and fruitful career where technology was an integral part of his art.

In making his work, Hayden seeks whatever technologies and expertise he requires to manifest particular ideas. In the case of Head Machine, 1967, for example, Hayden created ?Intersystems? and summoned the talents of architect Dick Zander, the poet Blake Parker, and the electronic music composer John Mills-Cockell, to create an anodized aluminum structure with port-holes that opened onto painted kinetic structures, and a world of light and sound that elicits the psychedelic fantasies of the 1960s.

In the last forty years, Hayden?s ?lumeric sculptures? are testimony to his continuing fascination with light and colour and the interaction between technology and humanity. He has exhibited widely around the world and received hundreds of commissions for architecturally scaled public works and environments. He has collaborated with architects, interior designers, engineers, landscape architects, composers, poets and visual artists. His work can be found in public collections in Canada, the United States, England, Scotland, Korea and the Netherlands. In 1984, he and his wife, the sculptor Kristina Lucas, founded Thinking Lightly Inc., from which Hayden attracts commissions for lumeric sculptures that continue to surprise and delight the public.